Tuesday, 9 December 2014

The Medal of Honor "feminized"

It generally tickles my extravagant at whatever point I hear fervent, conservative Christians griping of the descending winding of America. Abandon it to Bryan Fischer to further jab my entertaining bone with his assessment about President Barack Obama granting the Medal of Honor to Army Staff Sgt. Salvatore Giunta for his brave choice to spare lives as opposed to take them:

(As an aside, Fischer built his commitments with respect to an op-ed penned by William Mcgurn in the Wall Street Journal. It appeared Fischer may have misconstrued Mcgurn's point and rather infused his own particular conviction about the Medal of Honor).

This is simply the eighth Medal of Honor granted amid our wars in Iraq and Afghanistan, and Sgt. Giunta is the special case who existed sufficiently long to get his award in individual. At the same time I have perceived an aggravating pattern in the honoring of these decorations, which few others appear to have perceived.

We have feminized the Medal of Honor. As indicated by Bill Mcgurn of the Wall Street Journal, each Medal of Honor granted amid these two clashes has been recompensed for sparing life. Not one has been granted for exacting losses on the foe. Not one.

Gen. George Patton once generally said, "The object of fight is not to propel the bucket for your nation yet to make the other gentleman pass on for his." When we consider bravery in fight, we utilized the think about our young men storming the shorelines of Normandy under shriveling discharge, climbing the precipices of Pointe do Hoc while foe warriors shot straight down on them, and throwing projectiles into pill boxes to take out weapon emplacements.

That sort of bravery has obviously gotten to be antiquated regarding the matter of granting the Medal of Honor. We now recompense it just for forestalling setbacks, not for dispensing them. So the inquiry is this: when are we going to begin granting the Medal of Honor by and by for warriors who murder individuals and break things so our families can rest securely during the evening?

Thus, executing individuals and breaking costly military toys amid a fight makes a trooper more commendable that one who spares the life of a kindred fighter? A fighter who turns out to be a more powerful mass wartime murder and takes his dissatisfaction out on the adversary's gear is additionally meriting the Medal of Honor?

Monday, 12 August 2013

Yasmina, a Black Woman

Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel records. It features musicians from the Art Ensemble of Chicago. The initial track, giving its title to the album, is a long free jazz piece by an eleven-piece orchestra; in it, the indication to Africa that Shepp had tried out with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the start of the track. 

The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, even though the fiery playing of the musicians, notably Shepp himself, gives them a specific avant-garde edge. It was formerly issued on CD by Affinity (paired with "Poem For Malcolm") mastered from a very noisy vinyl source and later reissued by Charly (also paired with "Poem For Malcolm") from the novel master tapes.

Thursday, 14 March 2013

Black Woman

Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel records. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an eleven piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track.

The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.

Monday, 30 April 2012

Black

Black is the color of objects that do not emit or reflect light in any part of the visible spectrum; they absorb all such frequencies of light. Although black is sometimes described as an "achromatic", or hueless, color, in practice it can be considered a color, as in expressions like "black cat" or "black paint".

Tuesday, 7 February 2012

Black people

The term black people is used in some socially-based systems of racial classification for humans of a dark-skinned phenotype, relative to other racial groups represented in a particular social context.

Different societies apply different criteria regarding who is classified as "black", and often social variables such as class and socio-economic status also play a role, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness" and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting.

As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as "black". But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry, or to exhibit cultural traits associated with being "African-American". As a result, in the United States the term "black people" is not an indicator of skin color but of socially based racial classification.

Some definitions of the term include only people of relatively recent Sub-Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture. Other definitions of the term "black people" extend to other populations characterized by dark skin, sometimes including people indigenous to Oceania.